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Ēngines of Ēternity: Galíng​

Ēngines of Ēternity: Galíng​


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Curiocities at Curiocity Brisbane 2021


Galíng​ is a prelude to Ēngines of Ēternity, an ongoing series of interactive installations focusing on a remarkable microscopic aquatic animal​—​Rotifera—​and how it can provoke audiences to reflect on themes of cultural diversity and immortality. In December 2019, SEADS sent a visual artwork together with a rotifer experiment to the International Space Station via a SpaceX rocketship, as part of a collaboration w/ the lab of Prof. Karine Van Doninck at the University of Namur. This artwork was the seed for the Ēngines of Ēternity series; Galíng would be the second artwork inspired by this experiment.

Rotifers have a unique capacity for endless self-repair and survival in the face of adverse circumstances. When they find themselves in dry, harsh environmental conditions, then can dehydrate themselves. As a consequence their DNA breaks up in smaller parts. They will rehydrate themselves whenever water is present but during this restoration process, they might adopt DNA material from their surroundings, giving rise to a diversification of their genome which acts as a potential driver for continued survival, diversification, and evolution. Because of their unique ability, rotifera can provoke a larger discussion on how culture is not fixed, but rather emerges from complex interactions and contexts, evolving over time, even in times of tremendous crisis.

Ēngines of Ēternity highlights this phenomenon via artworks that start with data gathered from outer space, but evolves through its engagement w/ its environment, the visitors, and each other. For this iteration of Ēngines of Ēternity, we affix the word “galíng”- a unique Filipino term that connotes both recovery and improved abilities, which are essentially what the rotifer does, simultaneously, as it regenerates. In Galíng, visualizations of the Rotifera react to external audio input and to each other. They move in unique patterns, disintegrate, and reintegrate uniquely depending on the kind of sonic input they receive from visitors of the installation and from the environment.







Participating SEADS members

Franchesca Casauay

Franchesca is a cultural worker with an interdisciplinary research & arts practice, often oscillating between creative and curatorial roles. As an artist, she works mostly with new media & performance; as producer, she leads and provides curatorial support for local & international initiatives. In various capacities, she has participated in festivals and art projects in the Philippines and across Asia, Europe, UK, and Australia, most recently as guest curator for public programs at the 22nd Biennale of Sydney: NIRIN. Franchesca holds a degree in sociology and a postgraduate diploma in innovation & creative enterprise, and was a fellow of the Courants du Monde program on contemporary digital art practices in France. Although she loves working in the arts, she likewise nurtures a deep & lifelong affinity for all things science, having grown up in a household of scientists. A Biomodd-LBA2 volunteer in 2009, Franchesca is currently helping develop projects for SEADS Philippines for 2020-2021.



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Diego Maranan

Diego is an artist, academic, and activist who works in the area of human-technology interaction. Through technology research and intermedia artistic practice, he investigates, critiques, and reimagines the relationship between humans and the world we inhabit. He holds a Marie Curie fellowship at Plymouth University; teaches at the University of the Philippines Open University; advises for WeDpro, a feminist nonprofit that empowers marginalized women and youth in the Philippines; and co-founded Curiosity, a Manila-based design strategy firm. As one of SEAD’s core members, Diego worked on an extensive range of Biomodd projects in the Philippines, New York and Europe.


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Pieter Steyaert

Pieter Steyaert is an artist and transdisciplinary researcher who explores collaborations within artistic and scientific communities. His work particularly focuses on the context of astrophysics and exoplanets. Pieter is one of the co-founders of SEADS and has worked on a wide range of Biomodd, Seeker and Ēngines of Ēternity projects in Europe, the USA and SE Asia. He leads the development of tools and platforms that support the global SEADS community.

Pieter is fascinated by the possibilities, ethics, and shortcomings of the techno-realm. He shares and explores insights as an educator and researcher. His interests include artificial life, data-driven experience design, and art-science interactions. Pieter conducts research at CHAMELEON, an exoplanet research group which is affiliated with both the University of Antwerp and the University of Copenhagen. His research aims to use artistic methodologies to advance scientific ideation and research.

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